There is also a strange but undeniable symmetry to Oppenheimer likely winning Best Picture and Best Director, and Godzilla Minus One winning the visual effects award some pundits thought would likewise go to Christopher Nolan’s film about the creation of - and moral complexities and ultimate tragedy of - the creation of the atomic bomb.īut most of all, this about the visual effects of the film and their worthiness of not just a nomination but also a win. With additional crowd favorites Barbie and Oppenheimer also in play and expected to get some awards love, Godzilla might get a boost in this sense as well. The Oscars have also been searching for more relevance and to generate greater public interest in recent years (not that you’d know it from the ceremonies or their members’ selections most of the time, however), and Godzilla Minus One is one of several opportunities this year’s ceremony has to stand out in this regard. MORE FROM FORBES 'Wonka' Cooking Up $600 Million Worldwide Box Office Finish By Mark Hughes ![]() Lacking that nod, however, the film could enjoy some additional associated good will. It’s also a film that got some talk of it’s worthiness for consideration as Japan’s entry for the International Film category, where it’s popularity and high profile combined with its historic run and sheer mesmerizing artistic quality could’ve combined as valuable assets in its favor. That good will and buzz, as well as so much momentum heading into the Oscar balloting, bodes well for Godzilla Minus One.
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